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Inspired by a terrifying true story, a heart-pounding novel of suspense about a small Minnesota town where nothing is as quiet--or as safe--as it seems. Cassie McDowell's life in 1980s Minnesota seems perfectly wholesome. She lives on a farm, loves school, and has a crush on the nicest boy in class. Yes, there are her parents' strange parties and their parade of deviant guests, but she's grown accustomed to them. All that changes when someone comes hunting in Lilydale. One by one, local boys go missing. One by one, they return changed--violent, moody, and withdrawn. What happened to them becomes the stuff of shocking rumors. The accusations of who's responsible grow just as wild, and dangerous town secrets start to surface. Then Cassie's own sister undergoes the dark change. If she is to survive, Cassie must find her way in an adult world where every sin is justified, and only the truth is unforgivable.
Shortlisted for The Green Carnation Prize 2014 'This is not a fairytale. This is a story about how sex and money and power police our dreams.' Clear-eyed, witty and irreverent, Laurie Penny is as ruthless in her dissection of modern feminism and class politics as she is in discussing her own experiences in journalism, activism and underground culture. This is a book about poverty and prejudice, online dating and eating disorders, riots in the streets and lies on the television. The backlash is on against sexual freedom for men and women and social justice – and feminism needs to get braver. Penny speaks for a new feminism that takes no prisoners, a feminism that is about justice and equality, but also about freedom for all. It's about the freedom to be who we are, to love who we choose, to invent new gender roles, and to speak out fiercely against those who would deny us those rights. It is a book that gives the silenced a voice – a voice that speaks of unspeakable things.
"A strange, haunting, exhilarating debut novel about survival and love in all its forms: about sexual awakenings and dark secrets, about European refugee intellectuals who've fled Hitler's armies with dreams intact and who have come to an elusive new (American) "can-do, will-do" world they cannot seem to find. A novel steeped in surreal storytelling and beautiful music that transports its half-broken souls--and us--to another realm of the senses. From the much-admired, award-winning poet, author of Flying Inland and With Robert Lowell and His Circle: Sylvia Plath, Anne Sexton, Elizabeth Bishop, Stanley Kunitz, and Others. The setting: New York, the early 1940s, with the spectre of a red-hot Europe at war. At the center of Kathleen Spivack's Unspeakable Things: Anna (known as the Rat), an exotic Hungarian countess with the face of an angel, beautiful eyes and a seraphic smile, with a passionate intelligence, an exquisite ugliness, and the power to enchant ... her second cousin Herbert, a former minor Austrian civil servant who believes in Esperanto and the international rights of man, a wheeler-dealer in New York, powerful in the social sphere, yet under the thumb of his wife, Adeline ... Michael, their missing homosexual son ... Felix, a German pediatrician who dabbles in genetic engineering ... the Tolstoi String Quartet, four men and their instruments, who for twenty years lived as one, playing the great concert halls of Europe, for whom music is their life; escaping to New York from Bremerhaven, smuggled out on a German submarine, their money sewn into the red silk linings of their instrument cases ... And watching them all, Herbert's eight-year-old granddaughter, Maria, witnessing the family's strange comings and goings, being regaled at night when most are asleep with the intoxicating, thrilling stories of their secret pasts ... of lives lived in St. Petersburg ... of husbands being sent to the front and large, dangerous debts owed to the tsar of imperial Russia, and of a strange pact made in desperation between the Rat and the mystic faith healer Grigori Rasputin, their meeting night after night in Rasputin's apartments, and the spell-binding, unspeakable things done there in the name of penance and pleasure.."--
'Compassionate' Guardian 'Extremely affecting' Scotsman As a teenager, Harriet Shawcross stopped speaking at school for almost a year. As an adult, she became fascinated by the limits of language. From the inexpressible trauma of trench warfare and the aftermath of natural disaster to the taboo of coming out, Harriet examines all the ways in which words scare us. She studies wartime poet George Oppen, interviews the author of The Vagina Monologues, meets Nepalese earthquake-survivors and the founders of the Samaritans and asks what makes us silent?
Beyond the din and dancing lights of the Las Vegas strip, a young woman has mysteriously gone missing. All the facts point to something sinister — even paranormal. Quentin Draith, supernatural crime investigator, is hired to assist.However, the deeper Draith digs, the more otherworldly his assignment gets. Assassins, human and otherwise, put a target on Draith's head and a ravenous alien beast starts rampaging through the city. The clues point Draith to Sin City's infamous “Bone Triangle,” a neighborhood marked for its dark happenings and disappearances. And when Draith finds that the woman's disappearance may be linked to an alien plot against the city, he goes all in to make a final high-stakes play to save the city he loves.Intriguing, unexpected, and mesmerizing, The Bone Triangle is the second in bestselling author B. V. Larson's Unspeakable Things series.
Perfect town. Perfect homes. Perfect families. It's enough to drive some women mad... In a tale inspired by real events, pregnant journalist Joan Harken is cautiously excited to follow her fiancé back to his Minnesota hometown. After spending a childhood on the move and chasing the screams and swirls of news-rich city life, she's eager to settle down. Lilydale's motto, "Come Home Forever," couldn't be more inviting. And yet, something is off in the picture-perfect village. The friendliness borders on intrusive. Joan can't shake the feeling that every move she makes is being tracked. An archaic organization still seems to hold the town in thrall. So does the sinister secret of a little boy who vanished decades ago. And unless Joan is imagining things, a frighteningly familiar figure from her past is on watch in the shadows. Her fiancé tells her she's being paranoid. He might be right. Then again, she might have moved to the deadliest small town on earth.
"A must-have"—Booklist (starred review) Celebrated author Carole Boston Weatherford and illustrator Floyd Cooper provide a powerful look at the Tulsa Race Massacre, one of the worst incidents of racial violence in our nation's history. The book traces the history of African Americans in Tulsa's Greenwood district and chronicles the devastation that occurred in 1921 when a white mob attacked the Black community. News of what happened was largely suppressed, and no official investigation occurred for seventy-five years. This picture book sensitively introduces young readers to this tragedy and concludes with a call for a better future.
When Quentin Draith wakes up in a private sanatorium, he has no memory of who he is or how he received the injuries riddling his body. All he knows is that he has to get out, away from the drugs being pumped into him and back to the real world to search for answers. His first question: How did his friend Tony's internal organs fill with sand, killing him in a Las Vegas car crash?After a narrow escape, he tracks down the basic facts: he is an investigator and blogger specializing in the supernatural -- which is a good thing, because Quentin's life is getting stranger by the minute. It seems he is one of a special breed, a person with unusual powers. He's also the prime suspect in a string of murders linked by a series of seemingly mundane objects. The deeper he digs and the harder he works to clear his name, the more Quentin realizes that some truths are better off staying buried...
"Daum is her generation's Joan Didion." —Nylon Nearly fifteen years after her debut collection, My Misspent Youth, captured the ambitions and anxieties of a generation, Meghan Daum returns to the personal essay with The Unspeakable, a masterful collection of ten new works. Her old encounters with overdrawn bank accounts and oversized ambitions in the big city have given way to a new set of challenges. The first essay, "Matricide," opens without flinching: People who weren't there like to say that my mother died at home surrounded by loving family. This is technically true, though it was just my brother and me and he was looking at Facebook and I was reading a profile of Hillary Clinton in the December 2009 issue of Vogue. Elsewhere, she carefully weighs the decision to have children—"I simply felt no calling to be a parent. As a role, as my role, it felt inauthentic and inorganic"—and finds a more fulfilling path as a court-appointed advocate for foster children. In other essays, she skewers the marriage-industrial complex and recounts a harrowing near-death experience following a sudden illness. Throughout, Daum pushes back against the false sentimentality and shrink-wrapped platitudes that surround so much of contemporary American experience and considers the unspeakable thoughts many of us harbor—that we might not love our parents enough, that "life's pleasures" sometimes feel more like chores, that life's ultimate lesson may be that we often learn nothing. But Daum also operates in a comic register. With perfect precision, she reveals the absurdities of the New Age search for the "Best Possible Experience," champions the merits of cream-of mushroom-soup casserole, and gleefully recounts a quintessential "only-in-L.A." story of playing charades at a famous person's home. Combining the piercing insight of Joan Didion with humor reminiscent of Nora Ephron's, Daum dissects our culture's most dangerous illusions, blind spots, and sentimentalities while retaining her own joy and compassion. Through it all, she dramatizes the search for an authentic self in a world where achieving an identity is never simple and never complete.
Book Unspeakable Things Unspoken Description/Summary:
The story of the raped and murdered woman of Judges 19 and the civil war and mass marriage that ensue in chapters 20–21 are hardly favorite tales of the Hebrew Bible. The chapters have often been dismissed as little more than an anachronistic epilogue, an awkward amalgamation of earlier stories or a “text of terror,” proof of patriarchal oppression. This book argues that, far from being a clumsy collage, Judges 19–21 is a carefully narrated tale that chronicles the descent of a nation into extreme individualism and fragmentation. In dialogue with continental philosopher Luce Irigaray, it will uncover the dynamics of identity formation and how differential constructions of identity of the One and the Other yield patterns of victimization and justification of violence. This literary-philosophical reading will bring out silences and missed possibilities for the subjectivity of women, whilst also shedding light on the victimization of men within the logic of totalitarian identity constructions. The end of Judges therefore offers a theological conclusion to the book as a whole and opens up avenues for thought on theological anthropology, understandings of identity and gender, and a theological commentary on violence.
Book Theatre and Human Rights after 1945 Description/Summary:
This volume investigates the rise of human rights discourses manifested in the global spectrum of theatre and performance since 1945. Essays address topics such as disability, discrimination indigenous rights, torture, gender violence, genocide and elder abuse.
"An immersive voice, an intriguing story, a wonderful character—highly recommended!"—Lee Child, #1 New York Times bestselling author What if everything you thought you knew about Stonehenge was wrong? When agoraphobic genius Salem Wiley lands her dream job as an FBI cryptanalyst, she vows never to return to the witch hunt underworld, where ancient secrets encrypted by hunted women have the power to rewrite history. Her resolve disappears when sweet Mercy Mayfair, the child she is pledged to protect, is kidnapped. With the help of the enigmatic Agent Lucan Stone, Salem is forced to code hunt in Ireland, England, and Scotland to keep the girl alive. As the clock ticks, she must face the terrible truth that there is only one way to free Mercy: crack the unbreakable code of Stonehenge. Praise: "The conspiracy-theory vibe is strong here and will propel the Da Vinci Code crowd through to the end...Purchase wherever conspiracy theorists huddle in the stacks."—Booklist "Both a sweeping adventure and race-against-time thriller, Mercy's Chase is fascinating, fierce, and brimming with heart—just like its heroine, Salem Wiley."—Meg Gardiner, author of Into the Black Nowhere "A strong woman-focused storyline."—Reviewing the Evidence
Within the Circle is the first anthology to present the entire spectrum of twentieth-century African American literary and cultural criticism. It begins with the Harlem Renaissance, continues through civil rights, the Black Arts Movement, and on into contemporary debates of poststructuralist and black feminist theory. Drawing on a quote from Frederick Douglass for the title of this book, Angelyn Mitchell explains in her introduction the importance for those "within the circle" of African American literature to examine their own works and to engage this critical canon. The essays in this collection--many of which are not widely available today--either initiated or gave critical definition to specific periods or movements of African American literature. They address issues such as integration, separatism, political action, black nationalism, Afrocentricity, black feminism, as well as the role of art, the artist, the critic, and the audience. With selections from Langston Hughes, Sterling Brown, W. E. B. DuBois, Zora Neale Hurston, Richard Wright, James Baldwin, Toni Morrison, Barbara Smith, Alice Walker, Henry Louis Gates, Jr., and many others, this definitive collection provides a dynamic model of the cultural, ideological, historical, and aesthetic considerations in African American literature and literary criticism. A major contribution to the study of African American literature, this volume will serve as a foundation for future work by students and scholars. Its importance will be recognized by all those interested in modern literary theory as well as general readers concerned with the African American experience. Selections by (partial list): Houston A. Baker, Jr., James Baldwin, Sterling Brown, Barbara Christian, W. E. B. DuBois, Ralph Ellison, LeRoi Jones, Sarah Webster Fabio, Henry Louis Gates, Jr., W. Lawrence Hogue, Langston Hughes, Zora Neale Hurston, Alain Locke, Deborah E. McDowell, Toni Morrison, J. Saunders Redding, George Schuyler, Barbara Smith, Valerie Smith, Hortense J. Spillers, Robert B. Stepto, Alice Walker, Margaret Walker, Mary Helen Washington, Richard Wright
A struggling silhouette artist in Victorian Bath seeks out a renowned child spirit medium in order to speak to the dead - and to try and identify their killers - in this beguiling new tale from the queen of Gothic fiction, Laura Purcell As the age of the photograph dawns in Victorian Bath, silhouette artist Agnes is struggling to keep her business afloat. Still recovering from a serious illness herself, making enough money to support her elderly mother and her orphaned nephew Cedric has never been easy, but then one of her clients is murdered shortly after sitting for Agnes, and then another, and another... Why is the killer seemingly targeting her business? Desperately seeking an answer, Agnes approaches Pearl, a child spirit medium lodging in Bath with her older half-sister and her ailing father, hoping that if Pearl can make contact with those who died, they might reveal who killed them. But Agnes and Pearl quickly discover that instead they may have opened the door to something that they can never put back.
A brilliant anthology of modern true-crime writing that illustrates the appeal of this powerful and popular genre, edited and curated by Sarah Weinman, the award-winning author of The Real Lolita The appeal of true-crime stories has never been higher. With podcasts like My Favorite Murder and In the Dark, bestsellers like I’ll Be Gone in the Dark and Furious Hours, and TV hits like American Crime Story and Wild Wild Country, the cultural appetite for stories of real people doing terrible things is insatiable. Acclaimed author ofThe Real Lolitaand editor of Women Crime Writers: Eight Suspense Novels of the 1940s & 50s (Library of America) and Troubled Daughters, Twisted Wives (Penguin), Sarah Weinman brings together an exemplary collection of recent true crime tales. She culls together some of the most refreshing and exciting contemporary journalists and chroniclers of crime working today. Michelle Dean’s “Dee Dee Wanted Her Daughter To Be Sick” went viral when it first published and is the basis for the TV showThe Act and Pamela Colloff’s “The Reckoning,” is the gold standard for forensic journalism. There are 13 pieces in all and as a collection, they showcase writing about true crime across the broadest possible spectrum, while also reflecting what makes crime stories so transfixing and irresistible to the modern reader.
The Newbery Award-winning author of THE CROSSOVER pens an ode to black American triumph and tribulation, with art from a two-time Caldecott Honoree. Originally performed for ESPN's The Undefeated, this poem is a love letter to black life in the United States. It highlights the unspeakable trauma of slavery, the faith and fire of the civil rights movement, and the grit, passion, and perseverance of some of the world's greatest heroes. The text is also peppered with references to the words of Martin Luther King, Jr., Langston Hughes, Gwendolyn Brooks, and others, offering deeper insights into the accomplishments of the past, while bringing stark attention to the endurance and spirit of those surviving and thriving in the present. Robust back matter at the end provides valuable historical context and additional detail for those wishing to learn more.
No marriage is easy. The same was true of Renee and Samone's. Once high school sweethearts, they found themselves drifting apart, feeling trapped together, alone. Then, tragedy strikes, and Renee is left crumbling under the weight of the guilt of not having been a good wife. Enter Silver, a smooth-talking, handsome stranger with glistening forearms. Seeing Renee as vulnerable, he strikes, catching his prey. Renee is left reeling from the renewed grief of losing her husband, now compounded with the devastation of a terrible encounter with a stranger. The encounter not only leaves Renee in emotional turmoil, but it embroils her in a dark web of unsavory characters facing Unspeakable Things. Author Jackie Warren Tatum eloquently captures the mingling of regret and grief from losing a loved one--and the surprising places people turn to find comfort. Unspeakable Things a novel is about love lost, danger found, and the slow road to self-discovery.
Shortlisted for the Green Carnation Prize 2014 Laurie Penny, one of our most prominent young voices of feminism and dissent, presents a trenchant report on our society today--and our society tomorrow, as she is willing to fight to see it. Smart, clear-eyed, and irreverent, Unspeakable Things is a fresh look at gender and power in the twenty-first century, which asks difficult questions about dissent and desire, money and masculinity, sexual violence, menial work, mental health, queer politics, and the Internet. Celebrated journalist and activist Laurie Penny draws on a broad history of feminist thought and her own experience in radical subcultures in America and Britain to take on cultural phenomena from the Occupy movement to online dating, give her unique spin on economic justice and freedom of speech, and provide candid personal insight to rally the defensive against eating disorders, sexual assault, and internet trolls. Unspeakable Things is a book that is eye-opening not only in the critique it provides, but also in the revolutionary alternatives it imagines.
Carl Herbold is a cold-blooded psychopath who has just escaped the penitentiary where he was serving a life sentence. Bent on revenge, he's going back to where he began--Blewer County, Texas... Born deaf, lately widowed, Anna Corbett fights to keep the ranch that is her son's birthright, unaware that she is at the center of Herbold's horrific scheme--and that her world of self-imposed isolation is about to explode... Drifter Jack Sawyer arrives at Anna's ranch asking for work, hoping to protect the innocent woman and her son from Herbold's rage. But Sawyer can't outrun the secrets that stalk him--or the day of reckoning awaiting them all...