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A historical account of Shakespeare's participation in an 1612 court case involving an unpaid marriage dowry offers insight into the bard's obscure private life, in a volume that draws on a wide variety of sources to piece together the environment in which such plays as Othello, Measure for Measure, and King Lear were written. Reprint.
After losing his girlfriend and hip Boston apartment, Karl Stevens moves into a spare room in his painting professor's home, where his bohemian adventures in sex and boozing converge with the rituals of life with a family and an unruly beagle named Cookie. In a series of humorous, poignant, and gorgeously rendered stories, The Lodger chronicles a tumultuous year in the life of the author as he grows as an artist and a man. Combining comic strips originally published in The Phoenix, Boston's leading alternative weekly, with exquisite watercolors and oil paintings, The Lodger follows the Xeric-winning and Ignatz-nominated artist's Guilty and Whatever as a penetrating and visually stunning depiction of love, loss, and the moving minutiae of everyday life. A Los Angeles Times Book Prize finalist.
Book Charles Dickens and the Properties of Fiction Description/Summary:
When Dickens was nineteen years old, he wrote a poem for Maria Beadnell, the young woman he wished to marry. The poem imagined Maria as a welcoming landlady offering lodgings to let. Almost forty years later, Dickens died, leaving his final novel unfinished - in its last scene, another landlady sets breakfast down for her enigmatic lodger. These kinds of characters are everywhere in Dickens's writing. Charles Dickens and the Properties of Fiction: The Lodger World explores the significance of tenancy in his fiction. In nineteenth century Britain the vast majority of people rented, rather than owned, their homes. Instead of keeping to themselves, they shared space - renting, lodging, taking lodgers in, or simply living side-by-side in a crowded modern city. Charles Dickens explored both the chaos and the unexpected harmony to be found in rented spaces, the loneliness and sociability, the interactions between cohabitants, the complex gender dynamics at play, and the relationship between space and money. Charles Dickens and the Properties of Fiction demonstrates that a cosy, secluded home life was beyond the reach of most Victorian Londoners, and considers Dickens's nuanced conception of domesticity. Tenancy maintained an enduring hold upon his imagination, giving him new stories to tell and offering him a set of models to think about authorship. He celebrated the fact that unassuming houses brim with narrative potential: comedies, romances, and detective plots take place behind their doors. Charles Dickens and the Properties of Fiction: The Lodger World wedges these doors open.
Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told. "The Lodger" by Marie Belloc Lowndes is a thriller that takes place in London. This novel centers around the Jack the Ripper murders.
Book The Lodger by Marie Belloc Lowndes Description/Summary:
Out of the London fog, a mysterious stranger arrives on the Buntings' doorstep seeking lodgings and a kindly ear--but a horrifying secret lurks behind his gentlemanly facade. Can Mrs Bunting uncover the true nature of his strange obsessions and avert looming disaster for her family? Marie Belloc Lowndes's psychological thriller The Lodger (1913) was the first novelization of the infamous and still-unsolved Jack the Ripper murders of 1888. The novel transformed a sordid story of the London streets into a taut domestic tale of conflicted motivations, uncertain loyalty, and slow-burning terror. Lowndes, a contemporary--and rival--of Agatha Christie, adopted and subverted the detective fiction genre in order to explore women's roles within the family and within larger society in ways that still resonate strongly today. This scholarly edition revives a pivotal text by an undervalued late-Victorian and early twentieth-century author, and adds to an understanding of that transformational literary period. This edition brings together, for the first time, Lowndes' 1913 novel and the 1911 short story upon which it was based, providing new transcriptions of the texts alongside facsimiles of Henry Raleigh's original illustrations. A critical introduction offers historical, thematic, and biographical context drawn from new archival research, as well as an exhaustive bibliography of Lowndes's published work.
Honza takes in a lodger, Andy, who seems like his opposite - a coarse straight guy who comes home drunk every night to fart happily in front of the TV. But when, in a drunken stupor, Andy confesses to murder, Honza refuses to believe him. Then one weekend Andy disappears, only to return with his face rearranged. This black comedy of misunderstandings is a deft debut from Drew Gummerson.
Book The lodger and other stories Description/Summary:
With her inventive and stimulating discourse, the author critically and incisively explores the obsessions of this newly-independent, constantly expanding nation: consumerism, status symbols, political and social conformity, the role of women in an age of economic and individual freedom, and, not least, the meaning of language and identity, whether of an Icelander in Iceland, or of an immigrant in a new country.
A historical account of Shakespeare's participation in an 1612 court case involving an unpaid marriage dowry offers insight into the bard's obscure private life, in a volume that draws on a wide variety of sources to piece together the environment in which such plays as Othello, Measure for Measure, and King Lear were written. 30,000 first printing.
A New York Times Notable Book from the author of A Stolen Tongue: A tale of crime and survival in nineteenth-century England “as unsettling as it is brilliant” (The Washington Post Book World). In Sunderland, England, a city quarantined by the cholera epidemic of 1831, a defiant, fifteen-year-old beauty in an elegant blue dress sells her body to feed her only love: a fragile baby boy. When the surgeon Henry Chiver offers Gustine a different kind of work, she hopes to finally change her terrible circumstances. But Chiver was recently implicated in the famous case of Burke and Hare, who murdered beggars and sold their corpses for medical research. And soon, Gustine’s own efforts to secure cadavers for Chiver’s anatomy school will threaten the very things she’s working so hard to protect . . . “Reminiscent of Wuthering Heights . . . or the novels of Dickens . . . An even better book than Holman’s first, with prose that’s more limber and vivid—and with, appropriately, even more heart.” —The New York Times Book Review “As unsettling as it is brilliant. Holman attempts Herculean feats of plot and character, and the resulting novel is seamlessly crafted.” —The Washington Post Book World “Holman seduces you. Her prose, tart, racy and somber, will sing in your soul a long while.” —Frank McCourt, author of Angela’s Ashes “Holman’s style is risky and direct . . . with unflinching emotional precision. This dazzlingly researched epic is an uncommon read.” —Publisher Weekly, starred review
London, 1908. For years now, Maggie Wilson has had to bring up her four daughters alone with barely enough money to get by. Local Constable Harry Bradshaw looks out for them as best he can but there isn't much he can do for Maggie's small family. When the opportunity to take in a lodger arises, Maggie can't resist the extra income. But there's something strange about the man Maggie has let into her home... what if he's more trouble than he's worth? A moving family drama set against the backdrop of one of London's poorest areas. Perfect for fans of Maggie Ford, Kitty Neale and Katie Flynn.
Book The Twelve Lives of Alfred Hitchcock: An Anatomy of the Master of Suspense Description/Summary:
A fresh, innovative biography of the twentieth century’s most iconic filmmaker. In The Twelve Lives of Alfred Hitchcock, Edward White explores the Hitchcock phenomenon—what defines it, how it was invented, what it reveals about the man at its core, and how its legacy continues to shape our cultural world. The book’s twelve chapters illuminate different aspects of Hitchcock’s life and work: “The Boy Who Couldn’t Grow Up”; “The Murderer”; “The Auteur”; “The Womanizer”; “The Fat Man”; “The Dandy”; “The Family Man”; “The Voyeur”; “The Entertainer”; “The Pioneer”; “The Londoner”; “The Man of God.” Each of these angles reveals something fundamental about the man he was and the mythological creature he has become, presenting not just the life Hitchcock lived but also the various versions of himself that he projected, and those projected on his behalf. From Hitchcock’s early work in England to his most celebrated films, White astutely analyzes Hitchcock’s oeuvre and provides new interpretations. He also delves into Hitchcock’s ideas about gender; his complicated relationships with “his women”—not only Grace Kelly and Tippi Hedren but also his female audiences—as well as leading men such as Cary Grant, and writes movingly of Hitchcock’s devotion to his wife and lifelong companion, Alma, who made vital contributions to numerous classic Hitchcock films, and burnished his mythology. And White is trenchant in his assessment of the Hitchcock persona, so carefully created that Hitchcock became not only a figurehead for his own industry but nothing less than a cultural icon. Ultimately, White’s portrayal illuminates a vital truth: Hitchcock was more than a Hollywood titan; he was the definitive modern artist, and his significance reaches far beyond the confines of cinema.
Guns and revenge. As American as the wicked west. Ricky Toledo is going to find the man that killed her mother, and revenge is going to be sweet. Ricky Toledo was fifteen when she fell hard for a handsome drifter who rented a room in her family home. Then he killed her mother and got her father sent to prison for it. It's three years later, and Ricky will stop at nothing to get revenge. A broken young woman and her trusty companion--a gold Smith and Wesson 45 named Golddigger--track a serial killer hiding in plain sight as a travel blogger. It's a dark, grimy game of cat and mouse through a tangled American landscape. And like all the best crime noir, it's a twisted love story.
'A daring blend of romance, crime and history, and an intelligent exposé of the inherent injustice and consequences of all forms of oppression' Tsitsi Dangarembga, Nervous Conditions Opening with the shooting of Lady Virginia 'Ginie' Courtauld in her tranquil garden in 1950s Rhodesia, The Dragon Lady tells Ginie's extraordinary story, so called for the exotic tattoo snaking up her leg. From the glamorous Italian Riviera before the Great War to the Art Deco glory of Eltham Palace in the thirties, and from the secluded Scottish Highlands to segregated Rhodesia in the fifties, the narrative spans enormous cultural and social change. Lady Virginia Courtauld was a boundary-breaking, colourful and unconventional person who rejected the submissive role women were expected to play. Ostracised by society for being a foreign divorcée at the time of Edward VIII and Mrs Simpson, Ginie and her second husband ,Stephen Courtauld, leave the confines of post-war Britain to forge a new life in Rhodesia, only to find that being progressive liberals during segregation proves mortally dangerous. Many people had reason to dislike Ginie, but who had reason enough to pull the trigger? Deeply evocative of time and place, The Dragon Lady subtly blends fact and fiction to paint the portrait of an extraordinary woman in an era of great social and cultural change.
Dorothy Richardson is existing just above the poverty line, doing secretarial work at a dentist's office and living in a seedy boarding house in Bloomsbury, when she is invited to spend the weekend with a childhood friend, Jane. Jane has recently married a writer who is on the brink of fame. His name is H.G. Wells, or Bertie, as they call him. Bertie appears unremarkable at first. But then Dorothy notices his grey-blue eyes taking her in, openly signalling approval. He tells her he and Jane have an agreement which allows them the freedom to take lovers, although Dorothy can tell her friend would not be happy with that arrangement. Not wanting to betray Jane, yet unable to draw back Dorothy free-falls into an affair with Bertie. Then a new boarder arrives at the house- beautiful Veronica Leslie-Jones-and Dorothy finds herself caught between Veronica and Bertie. Amidst the personal dramas and wreckage of a militant suffragette march, Dorothy finds her voice as a writer.