Download The Body Double Book PDF, Read Online The Body Double Book Epub. Ebook The Body Double Tuebl Download Online. The following is a list of various book titles based on search results using the keyword the body double. Click "GET BOOK" on the book you want. Register now and create a free account to access unlimited books, fast download, ad-free and books in good quality!
A dark, glittering debut novel echoing Hitchcock's Vertigo, The Body Double is the suspenseful story of a young woman who is recruited by a stranger to give up her old life and identity to impersonate a reclusive Hollywood star. A strange man discovers our nameless narrator selling popcorn at a decrepit small-town movie theater and offers her an odd and lucrative position: she will forget her job, her acquaintances, even her name, and move to Los Angeles, where she will become the body double of the famous and troubled celebrity Rosanna Feld. A nervous breakdown has forced Rosanna out of the public eye, and she needs a look-alike to take her place in the tabloid media circus of Hollywood. Overseen by Max, who hired her for the job, our narrator spends her days locked up in a small apartment in the hills watching hidden camera footage of Rosanna, wearing Rosanna's clothes, eating the food Rosanna likes, practicing her mannerisms, learning to become Rosanna in every way. But as she makes her public debut as Rosanna, alarming questions begin to arise. What really caused Rosanna's mental collapse? Will she ever return? And is Max truly her ally, or something more sinister?
Book Notes for My Body Double Description/Summary:
Who would guess that Godzilla, the Invisible Man, Elvis, Donald Duck, Ted Williams, and the Three Stooges might have something to say about the love and loss that shape the way we see the world? And yet these are the pop-culture coordinates that chart the emotional life brilliantly mapped out in Paul Guest?s second book of poems. Winner of the Prairie Schooner Prize in Poetry, this collection plumbs the depths of nature and culture (how, for instance, ?gar? in Old English means ?spear,? and an octopus can lose a limb during mating) to give form to the darkness and the light that make us human. ø In poetry whose tone is largely one of lament tempered by a wry and intelligent humor, Paul Guest does what a poet does best: he gives us the moments of his life refashioned to reflect the larger arc and meaning of our own?of life, that is, writ large.
Book Brice Dellsperger's Body Double Description/Summary:
Brice Dellsperger's Body Double is the first monograph ever published on the artist's already cult film productions, with a long essay by art historian Marie Canet that addresses filmic remake, but also issues of models, gender politics, and representational chaos. Consisting in a large body of unpublished images, the book also invites the reader backstage--as in Kenneth Anger's Hollywood Babylon, after which this book is modeled--into the Dellspergian camp film factory, to get a closer look at the characters and personas that populate the Body Double series, and that are creations both of the artist and of his main performer and muse, Jean-Luc Verna. Co-published with Toastink Press
Body Double explores the myriad ways that film artists have represented the creative process. In this highly innovative work, Lucy Fischer draws on a neglected element of auteur studies to show that filmmakers frequently raise questions about the paradoxes of authorship by portraying the onscreen writer. Dealing with such varied topics as the icon of the typewriter, the case of the writer/director, the authoress, and the omnipresent infirm author, she probes the ways in which films can tell a plausible story while contemplating the conditions and theories of their making. By examining many forms of cinema, from Hollywood and the international art cinema to the avant-garde, Fischer considers the gender, age, and mental or physical health of fictionalized writers; the dramatized interaction between artists and their audiences and critics; and the formal play of written words and nonverbal images. By analyzing such movies as Adaptation, Diary of a Country Priest, Naked Lunch, American Splendor, and Irezumi, Fischer tracks the parallels between film author and character, looking not for the creative figure who stands outside the text, but for the one who stands within it as corporeal presence and alter-ego.
Book Photography after Photography Description/Summary:
Presenting two decades of work by Abigail Solomon-Godeau, Photography after Photography is an inquiry into the circuits of power that shape photographic practice, criticism, and historiography. As the boundaries that separate photography from other forms of artistic production are increasingly fluid, Solomon-Godeau, a pioneering feminist and politically engaged critic, argues that the relationships between photography, culture, gender, and power demand renewed attention. In her analyses of the photographic production of Cindy Sherman, Robert Mapplethorpe, Susan Meiselas, Francesca Woodman, and others, Solomon-Godeau refigures the disciplinary object of photography by considering these practices through an examination of the determinations of genre and gender as these shape the relations between photographers, their images, and their viewers. Among her subjects are the 2006 Abu Ghraib prison photographs and the Cold War-era exhibition The Family of Man, insofar as these illustrate photography's embeddedness in social relations, viewing relations, and ideological formations.
Can you stretch your thumb back to your arm? Is your pinkie straight or slightly bent? What determines the way your joints bend—or don't bend? Read this book to find out about how your genes affect your physical features.
Poetry. "Harel writes with such grace, lacing his preoccupations with such a light touch of humor, that you often forget THE BODY DOUBLE is cut from the same big questions that keep us all up at night. If you've strayed from poetry, this is the book that will bring you back. If you've ever secretly wished that Kafka had been an optimist, this is the poet for you."—Tea Obreht "With mischievous appreciation for the human dilemma, THE BODY DOUBLE charts the adventures of a rebellious, canny self within the self, and in doing so offers an imaginative perspective on both the classic doppelgänger and the contemporary fascination with identity. These charming ontological poems suggest our myopia and powerlessness in the face of our own fears and delusions. They offer a wild exploration of proximity: estranged identities we wish we could suppress, the neighboring self we pity or blame. The wily id morphs into a sweeter version of the evil twin—a double-tasking double-dealer who gradually subsumes the hapless narrator. By means of such subtle doubling, Jared Harel entertains and surprises as he encounters—and enlivens—one of the great literary motifs."—Alice Fulton "THE BODY DOUBLE is an impressive achievement of imagination and wordplay. With this, his first collection, Harel enters the American literary scene already accomplished. An estimable debut."—BJ Ward "When we look closely at 'I,' we always seem to see a stranger, and so the doppelg,,nger is a perennial figure of dream. The shadow self follows us, looks back sometimes from the face of a person across from us at the intersection, and sometimes seems to speak out of our mouths before we know what's happening. Harel's witty and inventive poem employs a wide register of forms—from the sonnet to the legal contract—to investigate the inexhaustible power of Rimbaud's dictum: Je est un autre."—Mark Doty "Jared Harel's poetry is spare, beautiful, and evocative. He represents a unique voice in his generation."—Liz Rosenberg
In 1987, Latif Yahia was taken to Saddam's headquarters to meet Uday, Saddam's eldest son, and told that a great honour has been bestowed upon him: that because of the great likeness between them, he had been chosen to be Uday's double. For many Iraquis, it would have been the highlight of their lives, but for Latif, a peace-loving man who did not agree with Saddam's brutal regime, it was not. He refused. Following a week of torture and realising he would be killed if he continued to refuse, Latif was forced to accept the role. After a gruesome training programme during which he was made to watch over thirty films of torture, hours of tapes of Uday, and undertake a final remodelling of his appearance, Latif was deemed ready. But it was only after the final test, a meeting with Saddam himself, that Latif made his first public appearance. And so began his life as Uday's double - a life on the perimeter of the inner circle of Saddam's eldest son, a witness to the horror of his insane life of debauchery, excess and brutality, and an experience for which he almost paid with his life on more than one occasion. THE DEVIL’S DOUBLE: is the first of 3 autobiographical books chronicling Latif Yahia’s incredible life story. It vividly describes how Latif was forced to become Uday Hussein’s ‘fidai’ (body double) and gives a unique insight into the extreme extravagance and cruelty of the Saddam regime. Latif survived assassination attempts and witnessed Uday’s psychotic temper, rapes, orgy parties, torture atrocities, and sadistic murders. The book has recently been made into a highly acclaimed movie. THE BLACK HOLE: gives a fascinating account of what happened to Latif in Europe after he escaped from Iraq. How he was treated by western governments and the CIA. How Uday sought revenge on Latif and vice-versa. How he was offered a British passport by Saudis to murder a dissident and how they beheaded Latif’s Saudi princess lover. How Latif made and lost a fortune. How he strived in vain for a peaceful life and survived 4 more assassination attempts. Forty Shades of Conspiracy: brings Latif’s story right up to date by detailing his time in Ireland. His run-ins with drug-dealers, Corrupt Irish Garda officers and Irish politicians who continually denied him Irish citizenship. His despair as a beggar on the streets and the happiness he found after he met the love of his life. His reaction to Uday and Saddam’s deaths and his opinion on the current political situation in Iraq all makes fascinating reading. Book Description: In 1987, Latif Yahia was taken to Saddam's headquarters to meet Uday, Saddam's eldest son, and told that a great honour had been bestowed upon him: that because of the great likeness between them, he had been chosen to be Uday's double. For many Iraqis it would have been the highlight of their lives, but for Latif, a peace-loving man who did not agree with Saddam's brutal regime, it was not. He refused. Following a week of torture, and realising he would be killed if he continued to refuse, Latif was forced to accept the role. After a gruesome training programme during which he was made to watch over thirty films of torture, hours of tapes of Uday, and undertake a final remodelling of his appearance, Latif was deemed ready. But it was only after the final test, a meeting with Saddam himself, that Latif made his first public appearance. And so began his life as Uday's double - a life on the perimeter of the inner circle of Saddam's eldest son, a witness to the horror of his insane life of debauchery, excess and brutality, and an experience for which he almost paid with his life on more than one occasion. A note from the Author : This book was written in 1992, originally it was 1,000 pages long with even more facts and details than contained in the pages herein, because of it's size the original publisher trimmed it down to the 300 or so pages that it is today. After the fall of Saddam Hussein and his regime in 2003 the facts in this book were confirmed. Many of Uday Hussein's employees found new masters over the years since my flight from Iraq, some work for the US intelligence services, some for the UK, but no matter how they may try to discredit me and my story the facts remain and as you now know I had already put them on paper in 1992, eleven years before the regime fell. I did not have a crystal ball to know all these things, I knew them because I was there, that was my life. Uday's employees have admitted in the Western media to being Pimps for him, they also admit to working as spies against him for the US and the UK intelligence services in return for citizenship of the respective country, what I ask is this, If a man is willing to sell women to a man that he knows to be a sadist, if he is willing to sell his country and himself, is it not then conceivable that he will sell his soul and say anything for money? I have paid a high price for my refusal to co-operate with the intelligence services, the CIA in particular, after twenty years in the West I am still stateless, I cannot return to Iraq because the new Government consider me a colaborator of the Hussein regime, although while they were in oppossition to Saddam they found my book to be a useful tool against him and his regime. Saddam while in power considered me a traitor. I do not regret my decision to leave Iraq or write my story, but I have not found the Western governments to be as open and democratic as they were portrayed to us in the Middle-East. In my search for a new counry to call home, I have found that those whose story is a fabrication are given the protection of the state as they are no threat, money is their only goal in life so they will not rock the boat', while I, who have an opinion and voice it openly (that is probably my biggest problem) am ignored, refused and while not told to leave am not made especially welcome either, I am tolerated. I do not nor did I ever seek fame, I have not made money from my story and if I do it will go to charity. It amuses me how the tables turn, when Saddam was in power my book was held up in the US Congress and given as a reason for Saddam's removal, now that Saddam is gone those that once used my story for their benefit have tried to denounce me, I have been interviewed by the world's biggest and best names over 1,800 TV, Print and Radio, journalist's who do their research and know who to ask for opinion, the old guard who took pride in their work and valued their reputation. While there are still some true journalists out there many work to order if their editor wants a specific story they make it, true or not, there is no oversight. Although it was never my intention, this book has been used as propaganda for the War on Iraq, my intention when I wrote it was to open the eyes of the world to the horrors and atrocities committed by the regime and to spur the Iraqi people into action. It will always disturb me that the Iraqi people never had a chance to participate in The Arab Spring and depose Saddam and his regime themselves, It may be a very different place today if they had had the chance to do so. Best regards to all, Latif Yahia .
Book Brian De Palma's Split-Screen Description/Summary:
Over the last five decades, the films of director Brian De Palma (b. 1940) have been among the biggest successes (The Untouchables, Mission: Impossible) and the most high-profile failures (The Bonfire of the Vanities) in Hollywood history. De Palma helped launch the careers of such prominent actors as Robert De Niro, John Travolta, and Sissy Spacek (who was nominated for an Academy Award as Best Actress in Carrie). Indeed Quentin Tarantino named Blow Out as one of his top three favorite films, praising De Palma as the best living American director. Picketed by feminists protesting its depictions of violence against women, Dressed to Kill helped to create the erotic thriller genre. Scarface, with its over-the-top performance by Al Pacino, remains a cult favorite. In the twenty-first century, De Palma has continued to experiment, incorporating elements from videogames (Femme Fatale), tabloid journalism (The Black Dahlia), YouTube, and Skype (Redacted and Passion) into his latest works. What makes De Palma such a maverick even when he is making Hollywood genre films? Why do his movies often feature megalomaniacs and failed heroes? Is he merely a misogynist and an imitator of Alfred Hitchcock? To answer these questions, author Douglas Keesey takes a biographical approach to De Palma's cinema, showing how De Palma reworks events from his own life into his films. Written in an accessible style, and including a chapter on every one of his films to date, this book is for anyone who wants to know more about De Palma's controversial films or who wants to better understand the man who made them.
“A refreshing and unique coming-of-age story...a beautiful and necessary meditation on finding strength in one’s culture.” —Entertainment Weekly, Top Pick of the Month “A YA marvel that will shock breath into your lungs. If you loved The Wrath and the Dawn and Children of Blood and Bone, Mirage will captivate you.” —The Christian Science Monitor “This debut fantasy has what it takes to be the next big thing in sci-fi/fantasy.” —SLJ, starred review “Immersive, captivating.” —ALA Booklist, starred review In a world dominated by the brutal Vathek empire, eighteen-year-old Amani is a dreamer. She dreams of what life was like before the occupation; she dreams of writing poetry like the old-world poems she adores; she dreams of receiving a sign from Dihya that one day, she, too, will have adventure, and travel beyond her isolated home. But when adventure comes for Amani, it is not what she expects: she is kidnapped by the regime and taken in secret to the royal palace, where she discovers that she is nearly identical to the cruel half-Vathek Princess Maram. The princess is so hated by her conquered people that she requires a body double, someone to appear in public as Maram, ready to die in her place. As Amani is forced into her new role, she can’t help but enjoy the palace’s beauty—and her time with the princess’ fiancé, Idris. But the glitter of the royal court belies a world of violence and fear. If Amani ever wishes to see her family again, she must play the princess to perfection...because one wrong move could lead to her death.
Book A Companion to Asian Art and Architecture Description/Summary:
"This companion presents new critical views on crucial aspects of the large and varied field of Asian art and architectural history. The essays collected here provide scholars and the pubic with an opportunity to engage with the field in all its diversity - from coinage to monastic spaces to imperial commissions and beyond. Regions and topics covered include Korea, Japan, China, several regions of Southeast Asia, South Asia, global and colonial interactions, as well as art and architecture in the UK and UK diasporas"--
Meet twenty-two-year-old Cherry Pye (née Cheryl Bunterman), a pop star since she was fourteen—and about to attempt a comeback from her latest drug-and-alcohol disaster. Now meet Cherry again: in the person of her “undercover stunt double,” Ann DeLusia. Ann portrays Cherry whenever the singer is too “indisposed”—meaning wasted—to go out in public. And it is Ann-mistaken-for-Cherry who is kidnapped from a South Beach hotel by obsessed paparazzo Bang Abbott. Now the challenge for Cherry’s handlers (über–stage mother; horndog record producer; nipped, tucked, and Botoxed twin publicists; weed whacker–wielding bodyguard) is to rescue Ann while keeping her existence a secret from Cherry’s public—and from Cherry herself. The situation is more complicated than they know. Ann has had a bewitching encounter with Skink—the unhinged former governor of Florida living wild in a mangrove swamp—and now he’s heading for Miami to find her . . . Will Bang Abbott achieve his fantasy of a lucrative private photo session with Cherry Pye? Will Cherry sober up in time to lip-synch her way through her concert tour? Will Skink track down Ann DeLusia before Cherry’s motley posse does? All will be revealed in this hilarious spin on life in the celebrity fast lane. BONUS: This edition includes an excerpt from Carl Hiaasen's Bad Monkey.
Book Caffeine for the Sustainment of Mental Task Performance Description/Summary:
This report from the Committee on Military Nutrition Research reviews the history of caffeine usage, the metabolism of caffeine, and its physiological effects. The effects of caffeine on physical performance, cognitive function and alertness, and alleviation of sleep deprivation impairments are discussed in light of recent scientific literature. The impact of caffeine consumption on various aspects of health, including cardiovascular disease, reproduction, bone mineral density, and fluid homeostasis are reviewed. The behavioral effects of caffeine are also discussed, including the effect of caffeine on reaction to stress, withdrawal effects, and detrimental effects of high intakes. The amounts of caffeine found to enhance vigilance and reaction time consistently are reviewed and recommendations are made with respect to amounts of caffeine appropriate for maintaining alertness of military personnel during field operations. Recommendations are also provided on the need for appropriate labeling of caffeine-containing supplements, and education of military personnel on the use of these supplements. A brief review of some alternatives to caffeine is also provided.
Poetry. "Lisa Lewis's fierce, unselfconscious poems are acutely honest, bristling with beauty, and terribly real. Calling out from the rural horse pastures and the blackness of the mind's night, THE BODY DOUBLE is, at once, a tribute to the world's roughness and bowing down to its mysterious power."—Ada Limon
"This book analyzes for the first time the art-theoretical concerns of the late-Victorian sculptors, focusing on their attitudes toward the representation of the human body. David J. Getsy uncovers a previously unrecognized sophistication in the New Sculpture through close study of works by key figures in the movement: Frederic Leighton, Alfred Gilbert, Hamo Thornycroft, Edward Onslow Ford, and James Havard Thomas."--Jacket.
A dark, glittering debut novel echoing Hitchcock's Vertigo, The Body Double is the suspenseful story of a young woman who is recruited by a stranger to give up her old life and identity to impersonate a reclusive Hollywood star. A strange man discovers our nameless narrator selling popcorn at a decrepit small-town movie theater and offers her an odd and lucrative position: she will forget her job, her acquaintances, even her name, and move to Los Angeles, where she will become the body double of the famous and troubled celebrity Rosanna Feld. A nervous breakdown has forced Rosanna out of the public eye, and she needs a look-alike to take her place in the tabloid media circus of Hollywood. Overseen by Max, who hired her for the job, our narrator spends her days locked up in a small apartment in the hills watching hidden camera footage of Rosanna, wearing Rosanna's clothes, eating the food Rosanna likes, practicing her mannerisms, learning to become Rosanna in every way. But as she makes her public debut as Rosanna, dining at elegant restaurants, shopping in stylish boutiques, and finally risking a dinner party with Rosanna's true inner circle, alarming questions begin to arise. What really caused Rosanna's mental collapse? Will she ever return? And is Max truly her ally, or something more sinister? The Body Double is a fabulously plotted noir about fame, beauty, and the darkness of Hollywood.
Richard Lafargue is an eminent plastic surgeon haunted by dirty secrets. He has an operating theatre in the basement of his chateau and keeps his partner Eve imprisoned in her bedroom, a room he has equipped with an intercom and 300-watt speakers through which he bellows orders. Eve is only allowed out to be paraded at cocktail parties and on the last Sunday of each month, when the couple visit a young woman in a mental asylum. Following these outings, Lafargue humiliates Eve by forcing her to perform lewd sexual acts with strangers while he watches through a one-way mirror. In alternating chapters, Jonquet introduces seemingly unrelated characters - a criminal on the run after murdering a policeman, and an abducted young man who finds himself chained naked in a dark chamber, forced to endure all manner of physical torture at the hands of a mysterious stranger, whom he calls Mygale, after a type of tropical spider. All of these characters are caught in a deceitful web, waiting to meet their fate.