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A love story between a vampire and a werewolf by the creator of the enormously popular Sarah's Scribbles comics. Vamp is three hundred years old but in all that time, she has never met her match. This all changes one night in a bar when she meets a charming werewolf. FANGS chronicles the humor, sweetness, and awkwardness of meeting someone perfectly suited to you but also vastly different.
Book Nice Girls Don't Have Fangs Description/Summary:
Maybe it was the Shenanigans gift certificate that put her over the edge. When children's librarian and self-professed nice girl Jane Jameson is fired by her beastly boss and handed twenty-five dollars in potato skins instead of a severance check, she goes on a bender that's sure to become Half Moon Hollow legend. On her way home, she's mistaken for a deer, shot, and left for dead. And thanks to the mysterious stranger she met while chugging neon-colored cocktails, she wakes up with a decidedly unladylike thirst for blood. Jane is now the latest recipient of a gift basket from the Newly Undead Welcoming Committee, and her life-after-lifestyle is taking some getting used to. Her recently deceased favorite aunt is now her ghostly roommate. She has to fake breathing and endure daytime hours to avoid coming out of the coffin to her family. She's forced to forgo her favorite down-home Southern cooking for bags of O negative. Her relationship with her sexy, mercurial vampire sire keeps running hot and cold. And if all that wasn't enough, it looks like someone in Half Moon Hollow is trying to frame her for a series of vampire murders. What's a nice undead girl to do?
Is a vampire still a vampire if his fang is all wobbly? Find out in this funny and endearing spin on the classic first lost tooth story. Young Dracula loves his fangs. They are pointy. They are sharp! They are a cherished family trait. So one day, when a fang wiggles…and jiggles…and falls loose, Dracula doesn’t know what to do. He tries pushing it back in. Then taping it. Then sticking it. Because a vampire can’t have only one fang!…Right?
There's Nothing Uglier Than A Vampire Singing "Feelings" If I hadn't seen it for myself, I'd swear it couldn't be true: my brother, Christian, living in a trailer park and working at a karaoke bar. We're talking about the snob who'd probably sniff the plasma packets and send 'em back in a huff if the blood type wasn't the right vintage. But after centuries of living in the undead fastlane, he's made up his mind that this is exactly where he needs to spend the rest of eternity, atoning for his many, many, sins. But sometimes things just don't work out like you think they will. Sometimes your hell can turn into your heaven. And thanks to Christian's chatty neighbor and boss, Jolee, things seem to be getting a whole lot nicer in Shady Fork Mobile Estates. Not that either of them has the first idea how to have a normal relationship--we are talking about a woman's who's only dated dead-beats, and a guy who's only dated the dead. Well, nobody's perfect.
Bertie is convinced that the grumpy school janitor is a vampire, but locking Mr. Grouch in a shed is probably not a good idea--and that is only the first trouble that Bertie finds in this trio of stories.
There is a new girl at Bluebird Community college, and her name is Leyla. She gets all of the boys in the hallway, but she has a secret.When Greyson discovers her though his best friend, he is instantly in love, but unaware of her secret.The secret that could save his life...
Oh, Brother! I'm watching my brother swagger through our New York City apartment. . .smiling. Rhys, the detached, surly man who turned brooding into an art form. But he's not brooding now. No, he's practically threatening to pistol whip me for shaking hands with the beautiful, half-dressed creature named Jane who just tried to sneak out of his bedroom. Weird. Brother Grim has a sex drive? That's not all that has me freaked out. Something terrible happened last night, something that made Rhys break his own rule and save the life of a mortal. Trouble is he doesn't remember anything from the past two hundred years. Like that he's a vampire, not a Regency viscount with an English accent. All I know is this mortal woman has managed to touch my brother's frozen heart, and I, Sebastian Young, will do whatever it takes to help him keep her. . .
Mr. and Mrs. Fang called it art. Their children called it mischief. Performance artists Caleb and Camille Fang dedicated themselves to making great art. But when an artist’s work lies in subverting normality, it can be difficult to raise well-adjusted children. Just ask Buster and Annie Fang. For as long as they can remember, they starred (unwillingly) in their parents’ madcap pieces. But now that they are grown up, the chaos of their childhood has made it difficult to cope with life outside the fishbowl of their parents’ strange world. When the lives they’ve built come crashing down, brother and sister have nowhere to go but home, where they discover that Caleb and Camille are planning one last performance–their magnum opus–whether the kids agree to participate or not. Soon, ambition breeds conflict, bringing the Fangs to face the difficult decision about what’s ultimately more important: their family or their art. Filled with Kevin Wilson’s endless creativity, vibrant prose, sharp humor, and keen sense of the complex performances that unfold in the relationships of people who love one another, The Family Fang is a masterfully executed tale that is as bizarre as it is touching.
The idea that actors are hypocrites and fakes and therefore dangerous to society was widespread in the seventeenth and eighteenth centuries. Fangs of Malice examines the equation between the vice of hypocrisy and the craft of acting as it appears in antitheatrical tracts, in popular and high culture, and especially in plays of the period. Rousseau and others argue that actors, expert at seeming other than they are, pose a threat to society; yet dissembling seems also to be an inevitable consequence of human social intercourse. The “antitheatrical prejudice” offers a unique perspective on the high value that modern western culture places on sincerity, on being true to one's own self. Taking a cue from the antitheatrical critics themselves, Matthew Wikander structures his book in acts and scenes, each based on a particular slander against actors. A prologue introduces his main issues. Act One deals with the proposition “They Dress Up”: foppish slavery to fashion, cross-dressing, and dressing as clergy. Act Two treats the proposition “They Lie” by focusing on social dissembling and the phenomenon of the self-deceiving hypocrite and the public, princely hypocrite. Act Three, “They Drink,” examines a wide range of antisocial behavior ascribed to actors, such as drinking, gambling, and whoring. An epilogue ties the ancient ideas of possession and the panic that actors inspire to contemporary anxieties about representation not only in theatre but also in the visual and literary arts. Fangs of Malice will be of great interest to scholars and students of drama as well as to theatre professionals and buffs.
Being a kid with wings -- constantly on the run -- has never been easy, and Max and her flock are more tense than ever. Angel says that Fang will be the first to die, and Angel is never wrong. Maximum Ride is used to living desperately on the run from evil forces sabotaging her quest to save the world-but nothing has ever come as close to destroying her as this horrifying prophetic message. Fang is Max's best friend, her soul mate, her partner in the leadership of her flock of winged children. A life without Fang is a life unimaginable. When a newly created winged boy, the magnificent Dylan, is introduced into the flock, their world is upended yet again. Raised in a lab like the others, Dylan exists for only one reason: he was designed to be Max's perfect other half. Thus unfolds a battle of perfection versus passion that terrifies, twists, and turns . . . and meanwhile, the apocalypse is coming.
Tired of running the vampire coven, Nigel Mullet surrenders the leadership to newcomer Viktor in exchange for some small favors, but soon Viktor proves to be evil, even by vampire standards, and Nigel must step in.
Book I Only Have Fangs For You Description/Summary:
Bite Me One thing you have to know about my brother Sebastian: he loves being a vampire. He's eternally twenty-five. He's single, and frankly, he's a chick magnet. Yeah, undeath is good. The only thing he's serious about is his nightclub, Carfax Abbey. It's the sort of dark, happening spot where vampires can really let their fangs down. My brother Rhys and I have tried to get Sebastian to clean up his bad-boy ways like we did, but then he went and called us "fang-whipped." Okay, Bite Boy, chew on this. . . The ultimate righteous reformer, Wilhemina Weiss, is on a mission to shut down Carfax Abbey. It seems the spirited, sexy-without-knowing-it vampire is working undercover as a cocktail waitress while waging a secret war to bring him down. Sebastian's A-positive he can convince Miss Goody-Vampire-Two-Fangs that nothing beats the ecstasy of a good vampire bite. I gotta tell you, the suspense would kill me--if I weren't already undead. . . "A unique blend of heat, humor and heart!" --Erin McCarthy
When vampire, Lucy, is finally hired to do some proper private investigating, she uncovers a plot far deeper than she expected...and far more dangerous. If she doesn't figure it out, vampires as a species could end up exposed. That's if she doesn't accidentally reveal them first. And as if going on a date wasn't stressful enough, Lucy's Noble fiancé has made a reappearance, and he's brought a rather distasteful present with him. - Fangs For Nothing is book one of the paranormal/urban fantasy romance vampire mystery series, The Vampire Detective. There is a slow burn reverse harem/polyamory romance.
What animal would you be if a few of your teeth grew so long that they stuck out of your mouth even when it was closed? What would you be if your top canine teeth grew almost all the way down to your feet? This picture book will keep you guessing as you read about how human teeth are like—and unlike—those of other animals.